![]() Her intimate renderings of friends, family, and flowers evoke the art historical genres of portraiture and. Featuring over thirty works from the past decade, The Eye Is Not Satisfied With Seeing is the largest survey of Packer’s practice to date. The exhibition also includes drawings which for Packer are rarely just a study but hold a weight of their own that differs from paintings. Jennifer Packer ’s paintings and drawings combine observation, memory, and improvisation. On occasion, Packer describes her flower compositions as funerary bouquets and vessels of personal grief these paintings about loss are often made in response to tragedies of state and institutional violence against Black Americans.įeaturing 34 works dated from 2011 to 2020, the exhibition presents portraits of artists from Packer’s New York circle, monochromatic paintings, intimate interiors and flower still lifes including Say Her Name (2017), painted in response to the suspicious death of Sandra Bland, a Black American woman who is largely believed to have been murdered while in police custody in 2015. ![]() Jennifer Packer’s paintings recalibrate art historical approaches to these enduring genres, casting them in a political and contemporary light, while rooted in a deeply personal context. Encounter Jennifer Packers flower paintings alongside portraits and drawings, at her solo exhibition opening at the Serpentine from 5 December Book now. ![]() While the casual repose of her portraits is the result of her care for the sitters, Packer acknowledges her choice to paint figures as political, stating: ‘Representation and particularly, observation from life, are ways of bearing witness and sharing testimony’. Jennifer Packer, The Body has Memory (2018). Melissa Blanchflower, Exhibitions Curator at Serpentine, leads us through Jennifer Packer’s solo exhibition, The Eye Is Not Satisified With Seeing.Ĭombining observation, improvisation and memory, Packer’s intimate portraits of friends and family members and flower still paintings insist on the emotional and physical essence of the contemporary Black lives she depicts. Jennifer Packer’s figurative paintings have always made her love of Black bodies clear it’s an admiration clearly on display throughout the work included in Quality of Life, her second solo show at Manhattan’s Sikkema Jenkins Gallery, up through January 19th.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |